in one's element

米マサチューセッツ州レノックスにあるタングルウッドはまさに米国クラッシック界の「聖地」です。今年はタングルウッド音楽祭７５周年を記念してさまざまな行事やこれまでの演奏をネット配信する（Web Stream）企画などが用意されています。

なお，小澤征爾氏には長年の功績が認められタングルウッド初となる記念のメダルが授与されました。わたしも一度は行ってみたいと思っています。

in one's elementはイディオムで，"the situation in which you are happiest and most effective"と定義されます（definitions.net）。ここのelementは"a natural habitat, sphere of activity, or environment"という意味で，相当する日本語の言い回しとしては，「水を得た魚」がはまると思います。（Minnesota）

Tanglewood Celebrates 75th With Free Web Stream

July 13, 2012

On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.

But the BSO has come up with an inspired way to celebrate the 75th anniversary of Tanglewood. Every day for 75 days, through the summer, the BSO is streaming a different historic Tanglewood concert on its website, including this astonishing Brahms, and going even further back to the very first Tanglewood concert, with a Beethoven Fifth Symphony under the leadership of the visionary Serge Koussevitzky on August 5, 1937.

I can't remember when I first started going to Tanglewood. It was certainly before I owned my own car, because I needed someone to give me a ride out to the Berkshires, more than two hours from Boston. Music was only part of the pleasure. The setting is idyllic, and a good picnic out on the lawn could be as enjoyable as the music itself. Of course, the open-air acoustics are not going to compare well to the magnificent sound at Boston's Symphony Hall, and many of the programs simply repeat what has already been performed in Boston. But every now and again, there's something wonderful that Boston can't replicate.

The very best performance I ever heard by Seiji Ozawa was at Tanglewood in 1974: Schoenberg's epic saga Gurrelieder, which almost cries out for an outdoor setting. He led the amazing student orchestra and such legendary artists as soprano Phyllis Curtin and bass-baritone George London. Ozawa was in his element. When he repeated this piece five years later at Symphony Hall, with a different cast, it felt cramped and flat. I'm sorry this isn't one of the downloadable performances, though there's a thrilling version led by James Levine. Not all these past concerts are serious ones. I'd have loved to attend July 13, 1961's BSO Pension Fund Concert, conducted by Danny Kaye, whose conducting adviser was his friend and BSO first violinist Harry Ellis Dixon. I especially love Kaye's deconstruction of Johann Strauss.

http://www.npr.org/2012/07/13/156488910/tanglewood-celebrates-75th-with-free-web-stream